ART CENTER COLLEGE OF DESIGN
UNUSUAL “RUNWAY” SHOW HIGHLIGHTS
STUDENT CREATIVITY IN APPAREL DESIGN
INSTRUCTOR: JUSTINE LIMPUS PARISH
Friday, December 9, 2011
8 - 9 PM – Ahmanson Auditorium
Hillside Campus, Pasadena CA
PLUS
Costume Design Illustrations for “The Magic Flute”
The event is FREE and open to the public
For directions and general information, visit http://www.artcenter.edu.
The annual “Design Runway” show, on December 9, 2011 at 8 pm, highlights the many ways industrial design and visual art students express themselves through Apparel Design. “This is a runway show unlike any other,” said fashion designer, illustrator, art director, writer and associate professor Justine Parish. “Apparel Design at Art Center is less about fashion than it is an outlet for students from all departments to explore a new medium for their creativity. As a result we have Product Design students creating performance sportswear for space travel, Illustration students creating jewelry, Transportation Design students creating high fashion shoes, and everything in between.”
The Design Runway Show will take place at Art Center’s Ahmanson Auditorium,
located at the College’s Hillside Campus, 1700 Lida Street in Pasadena, California, from 8:00 to 9:00 PM.
For more information please contact Ms. Parish at justine.parish@artcenter.edu
Monday, November 28, 2011
Arboretum to offer organic fruit & veggie class Dec. 3
Mark this class on your calendar! Bring your questions! Jill M will also give you great information on how to prune your fruit trees so don’t miss this one!
Organic Fruit & Vegetable Gardening
Saturday, December 3
12noon - 4pm
in the Bamboo Room
Jill Morganelli, Instructor and Horticultural Supervisor
$25 members / $28 non-members per class
Please call 626.821.4623 to register or you may pay at the door; no entrance fee when you are registered for a class.
Learn how to grow fruits and vegetables organically in your home garden! You’ll be saving money at the grocery store while contributing to the healthy lifestyle of your family by reaping the nutritional benefits of eating fresh-grown produce. Vegetable gardens enhance the appearance of any yard and provide a fun activity for all ages. This class focuses on seasonal production and covers the following topics:
December 3: The National Organic Program, Winter Crops and Companion Planting, Winter Weeds and Insects, Winter Disease ID, Treatment and Prevention, Irrigation, Soil Building, Composting and Worm Bins, Pruning Fruit Trees, and how to Gopher-proof Your Planting Bed!
Los Angeles County Arboretum & Botanic Garden
301 North Baldwin Avenue
Arcadia, CA 91007-2697
Phone: 626.821.4624
www.arboretum.org
Organic Fruit & Vegetable Gardening
Saturday, December 3
12noon - 4pm
in the Bamboo Room
Jill Morganelli, Instructor and Horticultural Supervisor
$25 members / $28 non-members per class
Please call 626.821.4623 to register or you may pay at the door; no entrance fee when you are registered for a class.
Learn how to grow fruits and vegetables organically in your home garden! You’ll be saving money at the grocery store while contributing to the healthy lifestyle of your family by reaping the nutritional benefits of eating fresh-grown produce. Vegetable gardens enhance the appearance of any yard and provide a fun activity for all ages. This class focuses on seasonal production and covers the following topics:
December 3: The National Organic Program, Winter Crops and Companion Planting, Winter Weeds and Insects, Winter Disease ID, Treatment and Prevention, Irrigation, Soil Building, Composting and Worm Bins, Pruning Fruit Trees, and how to Gopher-proof Your Planting Bed!
Los Angeles County Arboretum & Botanic Garden
301 North Baldwin Avenue
Arcadia, CA 91007-2697
Phone: 626.821.4624
www.arboretum.org
Beethoven concert Dec. 15 in Altadena
A Beethoven Birthday concert will be presented by members of the Tuesday Musicale of Pasadena on Thursday, December 15 at 7:30 pm, at Altadena Baptist Church, 791 E Calaveras St, Altadena. There is no admission charge, but a free-will offering will be accepted, and donations of canned or packaged food items for the local food bank would be greatly appreciated. For information, contact Barbara Ebert at 626-398-0658 or by e-mail at he91001@aol.com.
Grammy Hall of Fame additions named
Continuing the tradition of preserving and celebrating great recordings, The Recording Academy® announces the newest additions to its legendary GRAMMY Hall Of Fame® collection. Highlighting diversity and musical excellence, the collection acknowledges both singles and album recordings of all genres at least 25 years old that exhibit qualitative or historical significance. Through a tradition established nearly 40 years ago, recordings are reviewed annually by a special member committee comprising of eminent and knowledgeable professionals from all branches of the recording arts, with final approval by The Recording Academy's National Board of Trustees. With 25 new titles, the list currently totals 906 and is displayed at the GRAMMY Museum®.
"The Recording Academy is dedicated to celebrating a wide variety of great music and sound through the decades," said Neil Portnow, President/CEO of The Recording Academy. "We are especially honored to welcome this year's selection of some of the most influential recordings of the last century. Marked by both cultural and historical significance, these works truly have influenced and inspired audiences for generations, and we are thrilled to induct them into our growing catalog of outstanding recordings."
Representing a great variety of tracks and albums, the 2012 GRAMMY Hall of Fame inductees range from Bruce Springsteen's Born In The U.S.A. album to civil rights activist Dr. Martin Luther King Jr.'s "I Have A Dream" speech from his historic 1963 address at the March on Washington. Also on the highly regarded list are Cole Porter's "Anything Goes," the Rolling Stones' album Exile On Main St., Gloria Gaynor's "I Will Survive," Grandmaster Flash & The Furious Five's single "The Message," Bill Cosby's comedy album I Started Out As A Child, the Original Broadway Cast recording of "St. Louis Woman," and Tina Turner's "What's Love Got To Do With It." Others inductees include the entire Anthology Of American Folk Music, Gene Autry, Crosby, Stills, Nash & Young, Doris Day, the Serge Koussevitzky-conducted Boston Symphony Orchestra, Los Panchos, Santana, and Paul Simon, among others.
For more information about the GRAMMY Hall Of Fame or the 54th Annual GRAMMY Awards® (to be broadcast live on Feb. 12, 2012, at 8 p.m. ET/PT on the CBS Television Network), please visit www.grammy.com. For updates and breaking news, please visit The Recording Academy's social networks on Twitter and Facebook: www.twitter.com/thegrammys , and www.facebook.com/thegrammys.
For a complete list of GRAMMY Hall Of Fame inductees, please go to:
www.grammy.org/recording-academy/awards/hall-of-fame
2012 GRAMMY Hall Of Fame Inductees
ANTHOLOGY OF AMERICAN
FOLK MUSIC
Various Artists
Folkways (1952)
Folk (Album)
"ANYTHING GOES"
Cole Porter
(Cole Porter)
His Master's Voice (1934)
Pop (Single)
BORN IN THE U.S.A.
Bruce Springsteen
Columbia (1984)
Rock (Album)
"DEEP IN THE HEART OF TEXAS"
Gene Autry
(June Hershey & Don Swander)
Decca (1942)
Country (Single)
DÉJÀ VU
Crosby, Stills, Nash & Young
Atlantic (1970)
Rock (Album)
EXILE ON MAIN ST.
The Rolling Stones
Rolling Stones/Atlantic (1972)
Rock (Album)
"FIXIN' TO DIE"
Bukka White
(Bukka White)
Okeh (1940)
Blues (Single)
FOGGY MOUNTAIN JAMBOREE
Lester Flatt And Earl Scruggs
Columbia (1957)
Bluegrass (Album)
GRACELAND
Paul Simon
Warner Bros. (1986)
Pop (Album)
HERB ALPERT PRESENTS SERGIO MENDES & BRASIL '66
Sergio Mendes & Brasil '66
A&M (1966)
Pop (Album)
"HOW LONG, HOW LONG BLUES"
Leroy Carr
(Leroy Carr)
Vocalion (1928)
Blues (Single)
"I HAVE A DREAM"
Dr. Martin Luther King Jr.
Freedom March On Washington
20th Century Fox (1963)
Spoken Word (Track)
I STARTED OUT AS A CHILD
Bill Cosby
Warner Bros. (1964)
Comedy (Album)
"I WILL SURVIVE"
Gloria Gaynor
(Freddie Perren & Dino Fekaris)
Polydor (1978)
Disco (Single)
"KASSIE JONES"
Furry Lewis
(Walter "Furry" Lewis)
Victor (1928)
Blues (Single)
"KEY TO THE HIGHWAY"
Big Bill Broonzy
(Big Bill Broonzy & Charles Segar)
Okeh (1941)
Blues (Single)
"THE MESSAGE"
Grandmaster Flash & The Furious Five
Featuring Melle Mel And Duke Bootee
(Jiggs Chase, Melvin Glover, Sylvia Robinson & Edward Fletcher)
Sugar Hill (1982)
Rap (Single)
MEXICANTOS
Los Panchos
Coda (1945)
Latin (Album)
"PRECIOUS LORD, TAKE MY HAND"
Mahalia Jackson
(Thomas A. Dorsey)
Columbia (1956)
Gospel (Single)
"QUE SERA, SERA (WHATEVER WILL BE, WILL BE)"
Doris Day
(Jay Livingston & Ray Evans)
Columbia (1956)
Pop (Single)
ROY HARRIS SYMPHONY NO. 3
Serge Koussevitzky, cond.
Boston Symphony Orchestra
RCA Victor (1940)
Classical (Album)
SANTANA
Santana
Columbia (1969)
Rock (Album)
ST. LOUIS WOMAN
Original Broadway Cast
Capitol (1946)
Musical Show (Album)
"WASTED DAYS AND WASTED NIGHTS"
Freddy Fender
(Freddy Fender & Wayne Duncan)
ABC-Dot (1975)
Country (Single)
"WHAT'S LOVE GOT TO DO WITH IT"
Tina Turner
(Terry Britten & Graham Lyle)
Capitol (1984)
Pop (Single)
"The Recording Academy is dedicated to celebrating a wide variety of great music and sound through the decades," said Neil Portnow, President/CEO of The Recording Academy. "We are especially honored to welcome this year's selection of some of the most influential recordings of the last century. Marked by both cultural and historical significance, these works truly have influenced and inspired audiences for generations, and we are thrilled to induct them into our growing catalog of outstanding recordings."
Representing a great variety of tracks and albums, the 2012 GRAMMY Hall of Fame inductees range from Bruce Springsteen's Born In The U.S.A. album to civil rights activist Dr. Martin Luther King Jr.'s "I Have A Dream" speech from his historic 1963 address at the March on Washington. Also on the highly regarded list are Cole Porter's "Anything Goes," the Rolling Stones' album Exile On Main St., Gloria Gaynor's "I Will Survive," Grandmaster Flash & The Furious Five's single "The Message," Bill Cosby's comedy album I Started Out As A Child, the Original Broadway Cast recording of "St. Louis Woman," and Tina Turner's "What's Love Got To Do With It." Others inductees include the entire Anthology Of American Folk Music, Gene Autry, Crosby, Stills, Nash & Young, Doris Day, the Serge Koussevitzky-conducted Boston Symphony Orchestra, Los Panchos, Santana, and Paul Simon, among others.
For more information about the GRAMMY Hall Of Fame or the 54th Annual GRAMMY Awards® (to be broadcast live on Feb. 12, 2012, at 8 p.m. ET/PT on the CBS Television Network), please visit www.grammy.com. For updates and breaking news, please visit The Recording Academy's social networks on Twitter and Facebook: www.twitter.com/thegrammys , and www.facebook.com/thegrammys.
For a complete list of GRAMMY Hall Of Fame inductees, please go to:
www.grammy.org/recording-academy/awards/hall-of-fame
2012 GRAMMY Hall Of Fame Inductees
ANTHOLOGY OF AMERICAN
FOLK MUSIC
Various Artists
Folkways (1952)
Folk (Album)
"ANYTHING GOES"
Cole Porter
(Cole Porter)
His Master's Voice (1934)
Pop (Single)
BORN IN THE U.S.A.
Bruce Springsteen
Columbia (1984)
Rock (Album)
"DEEP IN THE HEART OF TEXAS"
Gene Autry
(June Hershey & Don Swander)
Decca (1942)
Country (Single)
DÉJÀ VU
Crosby, Stills, Nash & Young
Atlantic (1970)
Rock (Album)
EXILE ON MAIN ST.
The Rolling Stones
Rolling Stones/Atlantic (1972)
Rock (Album)
"FIXIN' TO DIE"
Bukka White
(Bukka White)
Okeh (1940)
Blues (Single)
FOGGY MOUNTAIN JAMBOREE
Lester Flatt And Earl Scruggs
Columbia (1957)
Bluegrass (Album)
GRACELAND
Paul Simon
Warner Bros. (1986)
Pop (Album)
HERB ALPERT PRESENTS SERGIO MENDES & BRASIL '66
Sergio Mendes & Brasil '66
A&M (1966)
Pop (Album)
"HOW LONG, HOW LONG BLUES"
Leroy Carr
(Leroy Carr)
Vocalion (1928)
Blues (Single)
"I HAVE A DREAM"
Dr. Martin Luther King Jr.
Freedom March On Washington
20th Century Fox (1963)
Spoken Word (Track)
I STARTED OUT AS A CHILD
Bill Cosby
Warner Bros. (1964)
Comedy (Album)
"I WILL SURVIVE"
Gloria Gaynor
(Freddie Perren & Dino Fekaris)
Polydor (1978)
Disco (Single)
"KASSIE JONES"
Furry Lewis
(Walter "Furry" Lewis)
Victor (1928)
Blues (Single)
"KEY TO THE HIGHWAY"
Big Bill Broonzy
(Big Bill Broonzy & Charles Segar)
Okeh (1941)
Blues (Single)
"THE MESSAGE"
Grandmaster Flash & The Furious Five
Featuring Melle Mel And Duke Bootee
(Jiggs Chase, Melvin Glover, Sylvia Robinson & Edward Fletcher)
Sugar Hill (1982)
Rap (Single)
MEXICANTOS
Los Panchos
Coda (1945)
Latin (Album)
"PRECIOUS LORD, TAKE MY HAND"
Mahalia Jackson
(Thomas A. Dorsey)
Columbia (1956)
Gospel (Single)
"QUE SERA, SERA (WHATEVER WILL BE, WILL BE)"
Doris Day
(Jay Livingston & Ray Evans)
Columbia (1956)
Pop (Single)
ROY HARRIS SYMPHONY NO. 3
Serge Koussevitzky, cond.
Boston Symphony Orchestra
RCA Victor (1940)
Classical (Album)
SANTANA
Santana
Columbia (1969)
Rock (Album)
ST. LOUIS WOMAN
Original Broadway Cast
Capitol (1946)
Musical Show (Album)
"WASTED DAYS AND WASTED NIGHTS"
Freddy Fender
(Freddy Fender & Wayne Duncan)
ABC-Dot (1975)
Country (Single)
"WHAT'S LOVE GOT TO DO WITH IT"
Tina Turner
(Terry Britten & Graham Lyle)
Capitol (1984)
Pop (Single)
The English Beat in Anaheim Dec. 2 and Malibu Dec. 3
This isn’t just any ska band, English Beat is THE ska band! They’re one of the earliest and most important ska revivalist groups. This year marks the 30th Anniversary of their debut I Just Can't Stop It. Their irresistible blend of ska, punk, and reggae has made them undeniable stars. A few of their chart-topping hits include: “Save It For Later”, “Mirror in the Bathroom”, “I Confess”, and of course General Public’s “Tenderness”.
12.02.11 - FRIDAY
House Of Blues
1530 S. Disneyland Drive
Anaheim, CA 92802
714.778.2583
All Ages Doors: 8pm Admission: $17.50 ADV $13.15 4-pack $40 Res 1 $30 Res 2
Opening Bands: The Originalities, Beat Fusion
12.03.11 - SATURDAY
Malibu Inn
22969 Pacific Coast Highway
Malibu, CA 90265
310.456.6060
18+ Doors: 8pm Admission: $20 ADV $25 DOS
12.02.11 - FRIDAY
House Of Blues
1530 S. Disneyland Drive
Anaheim, CA 92802
714.778.2583
All Ages Doors: 8pm Admission: $17.50 ADV $13.15 4-pack $40 Res 1 $30 Res 2
Opening Bands: The Originalities, Beat Fusion
12.03.11 - SATURDAY
Malibu Inn
22969 Pacific Coast Highway
Malibu, CA 90265
310.456.6060
18+ Doors: 8pm Admission: $20 ADV $25 DOS
'Claremont Modern' exhibit open through Dec. 18
Claremont Modern: The Fiesta Artists of Padua Hills 1953-1959
One of a series of exhibitions produced by the Claremont Museum of
Art and Claremont Heritage, Claremont Modern: The Fiesta Artists of
Padua Hills 1953-1959 celebrates the artists and craftsmen of
Claremont's first art festival with historical material and work by
thirty-five artists.
Saturdays and Sundays noon-5pm through December 18
Ginger Elliot Exhibition Center, 840 N. Indian Hill Boulevard,
Claremont
The exhibition is free and open to the public
Inspired by Getty's Pacific Standard Time celebration, Claremont
Modern is a series of exhibitions that focus on the artistic vibrancy
of Claremont at mid-century. Many of the artists who studied and
lived here in the 1950-60s produced outstanding work that impacted
the Modernism movement.
First held in 1953, the Padua Hills Art Fiesta was organized by local
artists to bring art into the community. The studio art movement that
flourished here in the 1950s centered on the use of natural materials
and traditional sensibilities - watercolor, pottery, woodworking,
sculpture in stone, bronze and ceramic, mosaic, textiles as well as
painting. Visitors came from miles around to meet the artists and
watch "art in action" at the popular festival.
The exhibition will feature work by many of Claremont's well-known
artists: Karl Benjamin, Paul Darrow, Betty Davenport Ford, James
Hueter, Doug McClellan, Harrison McIntosh, James Strombotne, John
Svenson and Jack Zajac. The exhibition includes a series of recent
photographic portraits of these Fiesta artists by Sioux Bally-Maloof.
Other 1950s artists are represented such as Paul Coates, Rupert
Deese, Phil and Betty Dike, Diane Divelbess, Carl & Sue Hertel, Roger
Kuntz, Sam Maloof, Walter Mix, Hildred Reents, Millard Sheets, Albert
and Marion Stewart, Sylvia Pauloo-Taylor, Ed Traynor, Melvin Wood,
Robert E. Wood and Milford Zornes.
The exhibition is accompanied by a booklet funded by the Claremont
Community Foundation and available for $5.
One of a series of exhibitions produced by the Claremont Museum of
Art and Claremont Heritage, Claremont Modern: The Fiesta Artists of
Padua Hills 1953-1959 celebrates the artists and craftsmen of
Claremont's first art festival with historical material and work by
thirty-five artists.
Saturdays and Sundays noon-5pm through December 18
Ginger Elliot Exhibition Center, 840 N. Indian Hill Boulevard,
Claremont
The exhibition is free and open to the public
Inspired by Getty's Pacific Standard Time celebration, Claremont
Modern is a series of exhibitions that focus on the artistic vibrancy
of Claremont at mid-century. Many of the artists who studied and
lived here in the 1950-60s produced outstanding work that impacted
the Modernism movement.
First held in 1953, the Padua Hills Art Fiesta was organized by local
artists to bring art into the community. The studio art movement that
flourished here in the 1950s centered on the use of natural materials
and traditional sensibilities - watercolor, pottery, woodworking,
sculpture in stone, bronze and ceramic, mosaic, textiles as well as
painting. Visitors came from miles around to meet the artists and
watch "art in action" at the popular festival.
The exhibition will feature work by many of Claremont's well-known
artists: Karl Benjamin, Paul Darrow, Betty Davenport Ford, James
Hueter, Doug McClellan, Harrison McIntosh, James Strombotne, John
Svenson and Jack Zajac. The exhibition includes a series of recent
photographic portraits of these Fiesta artists by Sioux Bally-Maloof.
Other 1950s artists are represented such as Paul Coates, Rupert
Deese, Phil and Betty Dike, Diane Divelbess, Carl & Sue Hertel, Roger
Kuntz, Sam Maloof, Walter Mix, Hildred Reents, Millard Sheets, Albert
and Marion Stewart, Sylvia Pauloo-Taylor, Ed Traynor, Melvin Wood,
Robert E. Wood and Milford Zornes.
The exhibition is accompanied by a booklet funded by the Claremont
Community Foundation and available for $5.
'Scarlet Stone' at UCLA Dec. 10 and 11
Scarlet Stone is a new multidisciplinary and collaborative music/dance/video work told in the language of dance-theatre to be performed:
Los Angeles
Freud Playhouse, UCLA
Saturday, December 10, 2011 at 8pm
Sunday, December 11, 2011 at 7pm
presented by Persian Arts Society
Tickets $75, $55, $45
This epic piece is based on the last work of Siavash Kasrai, Moher-ye Sorkh (Scarlet Stone) which re-tells the most famous tragedy of Iranian mythology, namely Rostam and Sohrab. The production uses the modern rendition of Ferdowsi’s ancient mythology to portray the current struggle of the people of Iran, especially those of the youth and women, in their brave quest for freedom and democracy. The goal is to make this project directly relevant to the current political and social climate of Iran and the Middle East in general. Scarlet Stone emphasizes the value of wisdom over infatuation and brings to our attention the need for all Iranians to take responsibility for the cultural, social, and political development of the country in the past 60 years.
UCSD’s professor, director/composer- Shahrokh Yadegari in collaboration with French-Iranian choreographer/dancer Shahrokh Moshkin Ghalam (also starring as Sohrab) have gathered some of the best performing talents of the Iranian diaspora to include Afshin Mofid- former NY ballet star (as Rostam), Ida Saki- young rising star dancer (Gordafarid -Sohrab’s lover), Miriam Peretz- Bay Area-based acclaimed dancer (Tahmineh-Sohrab’s mother) and Fatemeh Habibizad, the first female Iranian Naqqal - (Epic Story Teller, Ferdowsi) for this production. Advanced interactive video designed by Ian Wallace, and stunning lighting by Omar Ramos and Kristin Hayes define the world of the story.
Similar to the artistic form of Kasrai’s poem, Scarlet Stone is staged with modern aesthetics and a deep commitment to the traditional and ancient values of Persian arts. Advanced interactive technology is used for production and projection/diffusion of video and sound, which will help the integration of the multiple disciplines used in this project. With a critical view, Scarlet Stone offers strength as well as hope. One can argue that much of what is addressed in Scarlet Stone, both in terms of societal problems and solutions are alive in the current social and political movements in Iran. For many years, the only option for defining a structural basis for a social or political movement was either leaning towards the left or the right. Kasrai, having come from the leftist tradition and having been the victim of the disillusionments which followed the left movement in Iran, proudly writes a hopeful poem for facing the problems which have plagued our times. We feel the current movements in Iran (and the Middle East in general), where all sections of people have come together to voice their desire for peaceful reform and freedom, are a living example of this approach.
Yadegari says: “our goal is to produce Scarlet Stone in a way for it to become a catalyst for communication among Iranians, Iranian diaspora, and all those interested and invested in the evolution of the political and social life in the region. The production employs artists of highest caliber and uses exquisite interactive design technology to tell the touching and sobering story of Siavash Kasrai, in which he praises wise and passionate commitment to global human values as a beckon of hope for the current sociopolitical climate of Iran. We believe that the recent movements in Iran and later around the world, are fundamentally new forms of peaceful approach to political dissent, where actions are not fed by partisan politics, but by grass root social necessities.” Moshkin-Ghalam believes “today's generation of the youth and women in Iran are the generation of the `Shorabs and Tahminehs’, who bravely, passionately, and peacefully have been struggling against oppression. The non-violent resistances of Iranian people after the 2009 election in Iran is an excellent example of the committed, thoughtful, and intelligent political activism which Kasrai has depicted for us.”
Scarlet Stone has been in production since the 2009 uprising in Iran and has been generously funded by prestigious grants such as the the MAP Fund, a program of Creative Capital supported by the Doris Duke Charitable Foundation and the Rockefeller Foundation, the University of California Research in the Arts Institute’s Production Grant, UCSD’s Arts and Humanities Innovation Fund, and by a grant from Chehrazad Foundation.
For more information about this production, please refer to the website at www.scarletstone.com.
Los Angeles
Freud Playhouse, UCLA
Saturday, December 10, 2011 at 8pm
Sunday, December 11, 2011 at 7pm
presented by Persian Arts Society
Tickets $75, $55, $45
This epic piece is based on the last work of Siavash Kasrai, Moher-ye Sorkh (Scarlet Stone) which re-tells the most famous tragedy of Iranian mythology, namely Rostam and Sohrab. The production uses the modern rendition of Ferdowsi’s ancient mythology to portray the current struggle of the people of Iran, especially those of the youth and women, in their brave quest for freedom and democracy. The goal is to make this project directly relevant to the current political and social climate of Iran and the Middle East in general. Scarlet Stone emphasizes the value of wisdom over infatuation and brings to our attention the need for all Iranians to take responsibility for the cultural, social, and political development of the country in the past 60 years.
UCSD’s professor, director/composer- Shahrokh Yadegari in collaboration with French-Iranian choreographer/dancer Shahrokh Moshkin Ghalam (also starring as Sohrab) have gathered some of the best performing talents of the Iranian diaspora to include Afshin Mofid- former NY ballet star (as Rostam), Ida Saki- young rising star dancer (Gordafarid -Sohrab’s lover), Miriam Peretz- Bay Area-based acclaimed dancer (Tahmineh-Sohrab’s mother) and Fatemeh Habibizad, the first female Iranian Naqqal - (Epic Story Teller, Ferdowsi) for this production. Advanced interactive video designed by Ian Wallace, and stunning lighting by Omar Ramos and Kristin Hayes define the world of the story.
Similar to the artistic form of Kasrai’s poem, Scarlet Stone is staged with modern aesthetics and a deep commitment to the traditional and ancient values of Persian arts. Advanced interactive technology is used for production and projection/diffusion of video and sound, which will help the integration of the multiple disciplines used in this project. With a critical view, Scarlet Stone offers strength as well as hope. One can argue that much of what is addressed in Scarlet Stone, both in terms of societal problems and solutions are alive in the current social and political movements in Iran. For many years, the only option for defining a structural basis for a social or political movement was either leaning towards the left or the right. Kasrai, having come from the leftist tradition and having been the victim of the disillusionments which followed the left movement in Iran, proudly writes a hopeful poem for facing the problems which have plagued our times. We feel the current movements in Iran (and the Middle East in general), where all sections of people have come together to voice their desire for peaceful reform and freedom, are a living example of this approach.
Yadegari says: “our goal is to produce Scarlet Stone in a way for it to become a catalyst for communication among Iranians, Iranian diaspora, and all those interested and invested in the evolution of the political and social life in the region. The production employs artists of highest caliber and uses exquisite interactive design technology to tell the touching and sobering story of Siavash Kasrai, in which he praises wise and passionate commitment to global human values as a beckon of hope for the current sociopolitical climate of Iran. We believe that the recent movements in Iran and later around the world, are fundamentally new forms of peaceful approach to political dissent, where actions are not fed by partisan politics, but by grass root social necessities.” Moshkin-Ghalam believes “today's generation of the youth and women in Iran are the generation of the `Shorabs and Tahminehs’, who bravely, passionately, and peacefully have been struggling against oppression. The non-violent resistances of Iranian people after the 2009 election in Iran is an excellent example of the committed, thoughtful, and intelligent political activism which Kasrai has depicted for us.”
Scarlet Stone has been in production since the 2009 uprising in Iran and has been generously funded by prestigious grants such as the the MAP Fund, a program of Creative Capital supported by the Doris Duke Charitable Foundation and the Rockefeller Foundation, the University of California Research in the Arts Institute’s Production Grant, UCSD’s Arts and Humanities Innovation Fund, and by a grant from Chehrazad Foundation.
For more information about this production, please refer to the website at www.scarletstone.com.
Boom Kat Dance Theatre's "Stations" now playing in Santa Monia
Boom Kat Dance Theatre opens their new show "STATIONS: A Los Angeles Holiday Story," at the Miles Playhouse in Santa Monica November 26. STATIONS is a witty, tender-hearted, and engrossing, modern-day story about the shared humanity of people in crisis during the holidays.
STATIONS give new meaning to the holiday season (story scene summary provided below). Here is a remarkable performance that takes musical theatre and dance into artistic realms and creative dimensions previously unexplored.
The story is unique and original. The acting showcases some of the finest talent in Los Angeles. The dancing is high energy and dazzling. The music is exquisite and the sound design is intricate and innovative. Boom Kat Dance Theatre embraces and explores the potentials of theatre-in-the-round with engaging stories of people and the joys of the Los Angeles Public Transit System, set to dance.
STATIONS juggles the struggle of a new family with the stories of an overworked Santa, an unappreciated pastry chef, a basketball hotshot and other characters racing to keep up in the sprawling city.
Featuring numbers recorded by the a cappella group Sonos from NBCs The Sing-Off, the original acoustic and electronic score combines dramatic scoring, sonic textures, and re-interpretations of holiday classics.
Audiences set up on four sides in a cozy, small theatre setting witness the intimately technical and artistic challenges, and the remarkably choreographed dancing and acting from nine of Los Angeles' most talented and acclaimed musical theatre performers.
The play showcases the amazing possibilities of music and movement in an original story created by Dr. Parmer Fuller, a Professor at USC who has been the Musical Director for the four summer productions of the San Diego Civic Light Opera for fourteen seasons in a row, scored over 20 movies, TV shows, and as a concert and society pianist performed for three US Presidents and numerous celebrities.
Joe Sofranko worked with Emmy award winner Kent Gibson and Parmer Fuller to create the intricate Sound Design for the show. To create the sound collages that serve as transitions between musical numbers, Joe traveled the transit system a hoodie hiding his headphones, with a recording device and hidden mike and recorded sounds all over LA, from the Grove shopping center to Venice Beach, the Farmers Market, Beverly Hills, and the downtown club scene, recording sounds and conversations. The transitions between scenes in the story are thought out and choreographed as carefully as each dance.
Joe plays the a basketball hotshot and Lakers Fan in the show. He and his two Street Dude pals have a number playing basketball and fighting to a piece based on We Three Kings. There is another piece to Masters in this Hall where Will Harris plays an irascible restaurant chef terrorizing his cooks and Lili as a Pastry Chef.
This amazing array of local talent and major entertainment experience brings it all together November 26th through December 30th at the Miles Memorial Playhouse in Santa Monica. Show starts Tuesday through Saturday are at 8 PM, Sundays at 2:30 PM. December 20-December 30: Tuesday through Friday at 8 PM. For ages 7 to 107.
Advanced tickets are recommended ($25 general, $15 children and students with valid ID) at:
www.brownpapertickets.com/event/205087 or 800-838-3006
For further information call 310-202-9229 or visit boomkatdance.org
Los Angeles Public Transit System Directions: Hop on the Big Blue Bus #3 to Lincoln and Wilshire for the Miles Playhouse, 1/2 block North of Wilshire in Christine Emerson Park.
The Miles Memorial Playhouse is located at 1130 Lincoln Boulevard in Santa Monica.
STATIONS give new meaning to the holiday season (story scene summary provided below). Here is a remarkable performance that takes musical theatre and dance into artistic realms and creative dimensions previously unexplored.
The story is unique and original. The acting showcases some of the finest talent in Los Angeles. The dancing is high energy and dazzling. The music is exquisite and the sound design is intricate and innovative. Boom Kat Dance Theatre embraces and explores the potentials of theatre-in-the-round with engaging stories of people and the joys of the Los Angeles Public Transit System, set to dance.
STATIONS juggles the struggle of a new family with the stories of an overworked Santa, an unappreciated pastry chef, a basketball hotshot and other characters racing to keep up in the sprawling city.
Featuring numbers recorded by the a cappella group Sonos from NBCs The Sing-Off, the original acoustic and electronic score combines dramatic scoring, sonic textures, and re-interpretations of holiday classics.
Audiences set up on four sides in a cozy, small theatre setting witness the intimately technical and artistic challenges, and the remarkably choreographed dancing and acting from nine of Los Angeles' most talented and acclaimed musical theatre performers.
The play showcases the amazing possibilities of music and movement in an original story created by Dr. Parmer Fuller, a Professor at USC who has been the Musical Director for the four summer productions of the San Diego Civic Light Opera for fourteen seasons in a row, scored over 20 movies, TV shows, and as a concert and society pianist performed for three US Presidents and numerous celebrities.
Joe Sofranko worked with Emmy award winner Kent Gibson and Parmer Fuller to create the intricate Sound Design for the show. To create the sound collages that serve as transitions between musical numbers, Joe traveled the transit system a hoodie hiding his headphones, with a recording device and hidden mike and recorded sounds all over LA, from the Grove shopping center to Venice Beach, the Farmers Market, Beverly Hills, and the downtown club scene, recording sounds and conversations. The transitions between scenes in the story are thought out and choreographed as carefully as each dance.
Joe plays the a basketball hotshot and Lakers Fan in the show. He and his two Street Dude pals have a number playing basketball and fighting to a piece based on We Three Kings. There is another piece to Masters in this Hall where Will Harris plays an irascible restaurant chef terrorizing his cooks and Lili as a Pastry Chef.
This amazing array of local talent and major entertainment experience brings it all together November 26th through December 30th at the Miles Memorial Playhouse in Santa Monica. Show starts Tuesday through Saturday are at 8 PM, Sundays at 2:30 PM. December 20-December 30: Tuesday through Friday at 8 PM. For ages 7 to 107.
Advanced tickets are recommended ($25 general, $15 children and students with valid ID) at:
www.brownpapertickets.com/event/205087 or 800-838-3006
For further information call 310-202-9229 or visit boomkatdance.org
Los Angeles Public Transit System Directions: Hop on the Big Blue Bus #3 to Lincoln and Wilshire for the Miles Playhouse, 1/2 block North of Wilshire in Christine Emerson Park.
The Miles Memorial Playhouse is located at 1130 Lincoln Boulevard in Santa Monica.
Boss launches goody giveaway through Dec. 31
BOSS has gone berserk again with another round of The Big BOSS Giveaway. The biweekly contest gives tone freaks everywhere a chance to win BOSS pedals autographed by top guitar heroes and $1,000 in BOSS gear.
To enter, contestants should visit the BOSS Facebook Giveaway tab and fill out the entry form.
Every two weeks between November 1 and December 31, 2011, a different signed BOSS pedal from a famous guitar hero will be given away, as well as $1,000 in BOSS gear. Contestants can enter once every two-week period, giving them up to four chances to win.
The Big BOSS Giveaway prize lineup:
11/1/11–11/14/11
PH-3 pedal signed by Dave Navarro and $1,000 in BOSS gear
11/15/11-11/30/11
CH-1 pedal signed by Steve Vai and $1,000 in BOSS gear
12/1/11-12/15/11
TU-3 pedal signed by Steve Stevens and $1,000 in BOSS gear
12/16/11-12/31/11
SD-1 pedal signed by Jeff Loomis and $1,000 in BOSS gear
Contest eligibility is for U.S. residents only. http://www.BossUS.com.
To enter, contestants should visit the BOSS Facebook Giveaway tab and fill out the entry form.
Every two weeks between November 1 and December 31, 2011, a different signed BOSS pedal from a famous guitar hero will be given away, as well as $1,000 in BOSS gear. Contestants can enter once every two-week period, giving them up to four chances to win.
The Big BOSS Giveaway prize lineup:
11/1/11–11/14/11
PH-3 pedal signed by Dave Navarro and $1,000 in BOSS gear
11/15/11-11/30/11
CH-1 pedal signed by Steve Vai and $1,000 in BOSS gear
12/1/11-12/15/11
TU-3 pedal signed by Steve Stevens and $1,000 in BOSS gear
12/16/11-12/31/11
SD-1 pedal signed by Jeff Loomis and $1,000 in BOSS gear
Contest eligibility is for U.S. residents only. http://www.BossUS.com.
New album honors Amnesty International and Bob Dylan

Two iconic forces that have impacted the past 50 years - the life-saving human rights activism of Nobel Peace Prize-winning Amnesty International and the incomparable artistry of Bob Dylan - are being saluted by 80 musicians who contributed new or previously unreleased recordings to Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International.
Chimes of Freedom is Executive Produced by legendary music executive Jeff Ayeroff and Julie Yannatta, who spearheaded Instant Karma: The Amnesty International Campaign to Save Darfur - a 2007 collection of John Lennon solo compositions performed by major artists including U2, Green Day, and R.E.M.
The collection is scheduled for physical (4 discs) and digital release in North America on January 24, 2012 through Fontana Distribution. It will be distributed internationally through Fontana International, a Universal Music company, on January 30.
Chimes of Freedom features a stellar and diverse group of artists across the generational and musical spectrum. The performers, including many of Amnesty International's longtime supporters, range in age from teenage pop star Miley Cyrus, 19, to folk music legend Pete Seeger, who, at 92, records Dylan's poignant "Forever Young," with a children's chorus.
The diversity of the musicians and musical genres - from rock, rap, hip-hop to pop, folk, country, jazz and blues -- attests to Amnesty's depth of support in the music community, the universal appeal of the core message of human rights, and the breadth of Dylan's impact on culture. Almost every track on the album is being released for sale for the first time* - except for the title song, Dylan's original 1964 recording of "Chimes of Freedom." Seventy songs were recorded especially for this release - with the addition of a few previously unreleased recordings.
"This album is a powerful fusion of the music community's respect for Amnesty's life-affirming work and for Bob Dylan's enduring brilliance," said Ayeroff and Yannatta. "We are proud to have worked with Amnesty to produce this remarkable project."
In 1962, Amnesty International evolved from a one-year campaign to free political prisoners into a worldwide movement fighting for justice, freedom and human dignity; today the organization has more than three million supporters in 150 countries. In March of that same year Bob Dylan's debut album was released, launching an unparalleled recording career.
"Over the half century, Dylan's art has explored and expressed the anguish and hope of the modern human condition," observed Sean Wilentz, the noted historian, in the album liner notes.
"Bob Dylan's music endures because he so brilliantly captures our heartbreak, our joy, our frailty, our confusion, our courage and our struggles," said Karen Scott Amnesty International's Manager of Music Relations. "His words convey a depth of meaning that few artists can equal, inspiring us and always moving ahead of our expectations. We at Amnesty International are deeply grateful to this legendary musician and to all of the artists who have contributed to this project."
All of the artists, session musicians, arrangers, engineers, producers and recording studios worked pro-bono to support the human rights cause. Almost 30 tracks on the album were mixed gratis by famed engineer Bob Clearmountain. Bob Ludwig and Adam Ayan of Gateway Mastering donated their mastering services. The album cover illustration is by Grammy Award winning artist Mick Haggerty. Eight tracks were produced or executive produced by Martin Lewis, who as co-creator/producer in the 1970s of Amnesty's ongoing "Secret Policeman's Ball" benefit series, instigated Amnesty's outreach to rock musicians by recruiting and producing Pete Townshend, Sting, Eric Clapton, Jeff Beck, Bob Geldof and others. Executive Producers for Amnesty International are Helen Garrett, director of special projects, and Karen Scott, manager of music relations.
Through Chimes of Freedom, Amnesty International seeks to enlist support for its fight against censorship and attacks on free speech - whether involving artists, writers, musicians, political activists or bloggers. In this campaign, Amnesty is fighting for people such as the imprisoned Nobel Prize winner Liu Xiaobo in China, a scholar and human rights defender imprisoned since 2009 for writing about corruption and criticizing China's political system. In addition to purchasing the album at www.amnestyusa.org/chimes , supporters will find actions they can take to help individuals whose freedom of expression is under threat.
The tracklisting for Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International is as follows:
DISC 1
Raphael Saadiq
Leopard-Skin Pill-Box Hat
Patti Smith
Drifter's Escape
Rise Against
Ballad of Hollis Brown
Tom Morello The Nightwatchman
Blind Willie McTell
Pete Townshend
Corrina, Corrina
Bettye LaVette
Most of the Time
Charlie Winston
This Wheel's On Fire
Diana Krall
Simple Twist of Fate
Brett Dennen
You Ain't Goin' Nowhere
Mariachi El Bronx
Love Sick
Ziggy Marley
Blowin' in the Wind
The Gaslight Anthem
Changing of the Guards
Silversun Pickups
Not Dark Yet
My Morning Jacket
You're A Big Girl Now
The Airborne Toxic Event
Boots of Spanish Leather
Sting
Girl from the North Country
Mark Knopfler
Restless Farewell
DISC 2
Queens Of The Stone Age
Outlaw Blues
Lenny Kravitz
Rainy Day Woman # 12 & 35
Steve Earle & Lucia Micarelli
One More Cup of Coffee (Valley Below)
Blake Mills
Heart Of Mine
Miley Cyrus
You're Gonna Make Me Lonesome When You Go
Billy Bragg
Lay Down Your Weary Tune
Elvis Costello
License to Kill
Angelique Kidjo
Lay, Lady, Lay
Natasha Bedingfield
Ring Them Bells
Jackson Browne
Love Minus Zero/No Limit
Joan Baez
Seven Curses (Live)
The Belle Brigade
No Time To Think
Sugarland
Tonight I'll Be Staying Here With You (Live)
Jack's Mannequin
Mr. Tambourine Man
Oren Lavie
4th Time Around
Sussan Deyhim
All I Really Want To Do
Adele
Make You Feel My Love (Recorded Live at WXPN)
DISC 3
K'NAAN
With God On Our Side
Ximena Sariñana
I Want You
Neil Finn with Pajama Club
She Belongs to Me
Bryan Ferry
Bob Dylan's Dream
Zee Avi
Tomorrow Is A Long Time
Carly Simon
Just Like a Woman
Flogging Molly
The Times They Are A-Changin'
Fistful Of Mercy
Buckets Of Rain
Joe Perry
Man Of Peace
Bad Religion
It's All Over Now, Baby Blue
My Chemical Romance
Desolation Row (Live)
RedOne featuring Nabil Khayat
Knockin' on Heaven's Door
Paul Rodgers & Nils Lofgren
Abandoned Love
Darren Criss featuring Chuck Criss and Freelance Whales
New Morning
Cage the Elephant
The Lonesome Death of Hattie Carroll
Band of Skulls
It Ain't Me, Babe
Sinéad O'Connor
Property of Jesus
Ed Roland and The Sweet Tea Project
Shelter From The Storm
Ke$ha
Don't Think Twice, It's All Right
Kronos Quartet
Don't Think Twice, It's All Right
DISC 4
Maroon 5
I Shall Be Released
Carolina Chocolate Drops
Political World
Seal & Jeff Beck
Like A Rolling Stone
Taj Mahal
Bob Dylan's 115th Dream
Dierks Bentley
Senor (Tales of Yankee Power) (Live)
Mick Hucknall
One Of Us Must Know (Sooner Or Later)
Thea Gilmore
I'll Remember You
State Radio
John Brown
Dave Matthews Band
All Along the Watchtower (Live)
Michael Franti
Subterranean Homesick Blues
We Are Augustines
Mama, You Been On My Mind
Lucinda Williams
Tryin' To Get To Heaven
Kris Kristofferson
Quinn The Eskimo (The Mighty Quinn)
Eric Burdon
Gotta Serve Somebody
Evan Rachel Wood
I'd Have You Anytime
Marianne Faithfull
Baby Let Me Follow You Down (Live)
Pete Seeger
Forever Young
Bob Dylan
Chimes Of Freedom
DIGITAL ONLY
Outernational
When The Ship Comes In
Silverstein
Song To Woody
Daniel Bedingfield
Man In The Long Black Coat
Chimes of Freedom is Executive Produced by legendary music executive Jeff Ayeroff and Julie Yannatta, who spearheaded Instant Karma: The Amnesty International Campaign to Save Darfur - a 2007 collection of John Lennon solo compositions performed by major artists including U2, Green Day, and R.E.M.
The collection is scheduled for physical (4 discs) and digital release in North America on January 24, 2012 through Fontana Distribution. It will be distributed internationally through Fontana International, a Universal Music company, on January 30.
Chimes of Freedom features a stellar and diverse group of artists across the generational and musical spectrum. The performers, including many of Amnesty International's longtime supporters, range in age from teenage pop star Miley Cyrus, 19, to folk music legend Pete Seeger, who, at 92, records Dylan's poignant "Forever Young," with a children's chorus.
The diversity of the musicians and musical genres - from rock, rap, hip-hop to pop, folk, country, jazz and blues -- attests to Amnesty's depth of support in the music community, the universal appeal of the core message of human rights, and the breadth of Dylan's impact on culture. Almost every track on the album is being released for sale for the first time* - except for the title song, Dylan's original 1964 recording of "Chimes of Freedom." Seventy songs were recorded especially for this release - with the addition of a few previously unreleased recordings.
"This album is a powerful fusion of the music community's respect for Amnesty's life-affirming work and for Bob Dylan's enduring brilliance," said Ayeroff and Yannatta. "We are proud to have worked with Amnesty to produce this remarkable project."
In 1962, Amnesty International evolved from a one-year campaign to free political prisoners into a worldwide movement fighting for justice, freedom and human dignity; today the organization has more than three million supporters in 150 countries. In March of that same year Bob Dylan's debut album was released, launching an unparalleled recording career.
"Over the half century, Dylan's art has explored and expressed the anguish and hope of the modern human condition," observed Sean Wilentz, the noted historian, in the album liner notes.
"Bob Dylan's music endures because he so brilliantly captures our heartbreak, our joy, our frailty, our confusion, our courage and our struggles," said Karen Scott Amnesty International's Manager of Music Relations. "His words convey a depth of meaning that few artists can equal, inspiring us and always moving ahead of our expectations. We at Amnesty International are deeply grateful to this legendary musician and to all of the artists who have contributed to this project."
All of the artists, session musicians, arrangers, engineers, producers and recording studios worked pro-bono to support the human rights cause. Almost 30 tracks on the album were mixed gratis by famed engineer Bob Clearmountain. Bob Ludwig and Adam Ayan of Gateway Mastering donated their mastering services. The album cover illustration is by Grammy Award winning artist Mick Haggerty. Eight tracks were produced or executive produced by Martin Lewis, who as co-creator/producer in the 1970s of Amnesty's ongoing "Secret Policeman's Ball" benefit series, instigated Amnesty's outreach to rock musicians by recruiting and producing Pete Townshend, Sting, Eric Clapton, Jeff Beck, Bob Geldof and others. Executive Producers for Amnesty International are Helen Garrett, director of special projects, and Karen Scott, manager of music relations.
Through Chimes of Freedom, Amnesty International seeks to enlist support for its fight against censorship and attacks on free speech - whether involving artists, writers, musicians, political activists or bloggers. In this campaign, Amnesty is fighting for people such as the imprisoned Nobel Prize winner Liu Xiaobo in China, a scholar and human rights defender imprisoned since 2009 for writing about corruption and criticizing China's political system. In addition to purchasing the album at www.amnestyusa.org/chimes , supporters will find actions they can take to help individuals whose freedom of expression is under threat.
The tracklisting for Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International is as follows:
DISC 1
Raphael Saadiq
Leopard-Skin Pill-Box Hat
Patti Smith
Drifter's Escape
Rise Against
Ballad of Hollis Brown
Tom Morello The Nightwatchman
Blind Willie McTell
Pete Townshend
Corrina, Corrina
Bettye LaVette
Most of the Time
Charlie Winston
This Wheel's On Fire
Diana Krall
Simple Twist of Fate
Brett Dennen
You Ain't Goin' Nowhere
Mariachi El Bronx
Love Sick
Ziggy Marley
Blowin' in the Wind
The Gaslight Anthem
Changing of the Guards
Silversun Pickups
Not Dark Yet
My Morning Jacket
You're A Big Girl Now
The Airborne Toxic Event
Boots of Spanish Leather
Sting
Girl from the North Country
Mark Knopfler
Restless Farewell
DISC 2
Queens Of The Stone Age
Outlaw Blues
Lenny Kravitz
Rainy Day Woman # 12 & 35
Steve Earle & Lucia Micarelli
One More Cup of Coffee (Valley Below)
Blake Mills
Heart Of Mine
Miley Cyrus
You're Gonna Make Me Lonesome When You Go
Billy Bragg
Lay Down Your Weary Tune
Elvis Costello
License to Kill
Angelique Kidjo
Lay, Lady, Lay
Natasha Bedingfield
Ring Them Bells
Jackson Browne
Love Minus Zero/No Limit
Joan Baez
Seven Curses (Live)
The Belle Brigade
No Time To Think
Sugarland
Tonight I'll Be Staying Here With You (Live)
Jack's Mannequin
Mr. Tambourine Man
Oren Lavie
4th Time Around
Sussan Deyhim
All I Really Want To Do
Adele
Make You Feel My Love (Recorded Live at WXPN)
DISC 3
K'NAAN
With God On Our Side
Ximena Sariñana
I Want You
Neil Finn with Pajama Club
She Belongs to Me
Bryan Ferry
Bob Dylan's Dream
Zee Avi
Tomorrow Is A Long Time
Carly Simon
Just Like a Woman
Flogging Molly
The Times They Are A-Changin'
Fistful Of Mercy
Buckets Of Rain
Joe Perry
Man Of Peace
Bad Religion
It's All Over Now, Baby Blue
My Chemical Romance
Desolation Row (Live)
RedOne featuring Nabil Khayat
Knockin' on Heaven's Door
Paul Rodgers & Nils Lofgren
Abandoned Love
Darren Criss featuring Chuck Criss and Freelance Whales
New Morning
Cage the Elephant
The Lonesome Death of Hattie Carroll
Band of Skulls
It Ain't Me, Babe
Sinéad O'Connor
Property of Jesus
Ed Roland and The Sweet Tea Project
Shelter From The Storm
Ke$ha
Don't Think Twice, It's All Right
Kronos Quartet
Don't Think Twice, It's All Right
DISC 4
Maroon 5
I Shall Be Released
Carolina Chocolate Drops
Political World
Seal & Jeff Beck
Like A Rolling Stone
Taj Mahal
Bob Dylan's 115th Dream
Dierks Bentley
Senor (Tales of Yankee Power) (Live)
Mick Hucknall
One Of Us Must Know (Sooner Or Later)
Thea Gilmore
I'll Remember You
State Radio
John Brown
Dave Matthews Band
All Along the Watchtower (Live)
Michael Franti
Subterranean Homesick Blues
We Are Augustines
Mama, You Been On My Mind
Lucinda Williams
Tryin' To Get To Heaven
Kris Kristofferson
Quinn The Eskimo (The Mighty Quinn)
Eric Burdon
Gotta Serve Somebody
Evan Rachel Wood
I'd Have You Anytime
Marianne Faithfull
Baby Let Me Follow You Down (Live)
Pete Seeger
Forever Young
Bob Dylan
Chimes Of Freedom
DIGITAL ONLY
Outernational
When The Ship Comes In
Silverstein
Song To Woody
Daniel Bedingfield
Man In The Long Black Coat
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